Every detail, from signal-path to listener-ergonomics, has been carefully considered, producing an environment perfectly suited to my mastering approach. It’s taken years to internalize the environmental factors that produce results that I’m proud of and I’m a real believer in the sheer potency of great analogue outboard audio equipment for mastering.
Prism ADA8XR, Cranesong Hedd 192
Unity Audio Boulders with Avalanche Sub
Prism MLA-2 Precision Compressor
API2500 Stereo Buss Compressor
HOFA DDP Player Maker
LEDE room with nested QRD rear diffusion, extensive bass-trapping and low velocity ventilation.