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Every detail, from signal-path to listener-ergonomics, has been carefully considered, producing an environment perfectly suited to my mastering approach. It’s taken years to internalize the environmental factors that produce results that I’m proud of and I’m a real believer in the sheer potency of great analogue outboard audio equipment for mastering.

Conversion:
Prism ADA8XR, Cranesong Hedd 192

Monitoring:
Unity Audio Boulders with stereo Avalanche Subs

Compression:
Prism MLA-2 Precision Compressor
Manley Massive Passive M/S mod Mastering Version Compressor/Limiter
API2500 Stereo Buss Compressor

EQ:
Manley Massive Passive Mastering Version

Software tools:
Sequoia 13
Izotope RX
HOFA DDP Player Maker
Sonnox/Voxengo/Slate/PSP/HOFA/Brainworx plugins

Acoustics:
LEDE room with nested QRD rear diffusion, extensive bass-trapping and low velocity ventilation.

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