Every detail, from signal-path to listener-ergonomics, has been carefully considered, producing an environment perfectly suited to my mastering approach.
It’s taken years to internalize the environmental factors that produce results that I’m proud. I’m a firm believer in the sheer potency of great analogue outboard audio equipment for mastering.
Unity Audio Boulders with Avalanche Sub
Prism MLA-2 Precision Compressor
API2500 Stereo Bus Compressor
SSL LOGIC fx G384 Stero Bus Compressor
Izotope RX (Restoration)
HOFA DDP Player Maker
LEDE room with nested QRD broadband diffusion..