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Every detail, from signal-path to listener-ergonomics, has been carefully considered, producing an environment perfectly suited to my mastering approach.
It’s taken years to internalize the environmental factors that produce results that I’m proud. I’m a firm believer in the sheer potency of great analogue outboard audio equipment for mastering.

Conversion:
Prism ADA8XR

Monitoring:
Unity Audio Boulders with Avalanche Sub

Compression:
Prism MLA-2 Precision Compressor
API2500 Stereo Bus Compressor
SSL LOGIC fx G384 Stero Bus Compressor

EQ:
Maselec MEA-2

Software tools:
Sequoia (DAW)
Izotope RX (Restoration)
HOFA DDP Player Maker
WEISS/Sonnox/Voxengo/Slate/PSP/HOFA/Brainworx plugins

Acoustics:
LEDE room with nested QRD broadband diffusion..

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